For the last several weeks, I’ve listened to late-night talk show hosts herald The Back-Up Plan as Jennifer Lopez’s glorious return to the big screen. After seeing said film, I’m left wondering why she bothered.

She plays Zoe, a single New York City pet shop owner. She’s got a nice apartment, a fabulous wardrobe, and good friends. Everything, it seems, except a man and a baby. Thanks to the miracles of modern medicine, she opts to forego the former and head to a sperm bank to conceive the latter. On her way back from being inseminated, Stan, the man of her dreams (Alex O’Laughlin) hops into her cab, effectively screwing up her best-laid plans. Ain’t it always the way?

Somewhere around date 2.5, while visiting Stan’s upstate goat farm where he makes cheese, Zoe confesses that she is in the family way. She’s prepared for Stan to bolt to the nearest exit sign. It’s what her own father did when she was very young. But for some reason, Stan isn’t fooled by the fetus that she’s got. He sticks it out–with a tantrum here and there–for the long, ostensibly humorous, nine-month haul.

I would like to take a moment to let screenwriter Kate Angelo know that I, too, saw both Knocked Up and Nine Months. I didn’t need for those two to be put into a blender of “modern” scenarios, shaken up, and played again. As a sitcom writer with only a handful of episodes of Becker, Will & Grace, and The Bernie Mac Show to her credit, Angelo hardly has the credentials to fill Chris Columbus’ or Judd Apatow’s ink cartridge.

That’s especially true since The Back-Up Plan seemed to leave one key ingredient out of the new recipe: humor. Sure, the whole preggo comedy of errors is inoffensive enough…except for one scene involving a woman in labor losing control of her bowels in a baby pool. And I smiled a few times. But laugh? Not once. (Sidebar: May I request a moratorium on poop jokes in romantic comedies? Please?)

I smiled when best friend Mona (Michaela Watkins), a mother of four, invites Zoe to take a look at the havoc the little tykes have wreaked on her assorted lady bits. I smiled when random Playground Dad (that’s actually the character’s name), played by Anthony Edwards explains that childrearing is six parts awful to one part magical. I also smiled when pet store employee, Clive (Eric Christian Olsen, wasted here but hilarious in Fired Up) gets mock jealous of Zoe’s redheaded man seed. But nothing in this film’s dialog or its contrived scenarios was sharp, sophisticated, or funny enough to earn the full chuckle.

Alan Poul’s direction falls into the same category of inoffensive but unimpressive. At least the TV sitcom veteran, making his big-screen directorial debut, is smart enough to give the people what they came for. Loving close-ups of Jenny’s lovely heart-shaped face and plump posterior and O’Laughlin’s brown eyes.

But Poul’s choice of O’Laughlin to play opposite Ms. Lopez smacks of mediocrity. He’s handsome in a soft, made-for-TV movie kind of way, but ultimately recedes into the background of J.Lo’s glow. To his credit, Stan does manage to look truly smitten by Zoe, legitimately freaked out at the prospect of raising twins (did I mention it was twins?), and not totally ridiculous while riding shirtless on a tractor.

He’s handicapped, though, in the way that all leading men are when working with J.Lo. As usual, she likes no one else in the film half as much she likes herself. A diva this size doesn’t need an Alex O’Laughlin (or a Michael Vartan or even a Matthew McConnaughey). She needs a George Clooney, a leading man that occupies as much space on the screen and marquis as she does.

Sadly, that wasn’t in the plan for The Back-Up Plan. And Lopez’s most impressive co-star is her own backside. So much so, it gets one whole scene dedicated to it. And like everything else in this film, it’s cute but not all that memorable (the scene, not the rump).

Your back-up plan should be to wait for the DVD.

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